Statement

The inspiration for my artwork as a contemporary visual artist came from an article about human zoos in Europe during the 1950s, where indigenous people were displayed as exhibits. Using archival photographs of these displaced individuals, I explored the contrast between their harmony with nature and the exploitation by conquerors. My research into ancient and indigenous cultures further deepened my focus on the social issues resulting from this exploitation, such as child labor, women's rights, violence, and social inequality.
Through my paintings, I aim to highlight these struggles by focusing on the expressions in the eyes of my subjects. These faces represent both the oppressed and my own inner struggles, acting as a cathartic release. The creative process is meditative, blocking out the world and focusing on colors and forms, which allows me to liberate myself from trauma. I believe my artwork can engage society and raise awareness about critical issues, encouraging a more conscious and harmonious way of living.